A few examples of appraisal values for
REMBRANDT

• REMBRANDT HARMENSZOON VAN RIJN, MAN
  REMBRANDT HARMENSZOON VAN RIJN, MAN DRAWINGRembrandt Harmenszoon Van Rijn(Dutch, 1606-1669)Man Drawing from a Cast, ca. 1664 (Bartsch, Hollstein 130; Hind 191; New Hollstein 192)etching on laid paperwithout watermark, a very good moderately in
• REMBRANDT HARMENSZOON VAN RIJN, JAN
  REMBRANDT HARMENSZOON VAN RIJN, JAN ASSELYNRembrandt Harmenszoon Van Rijn(Dutch, 1606-1669)Jan Asselyn, Painter ('Krabbetje'), ca. 1647 (B., Holl. 272; New Holl. 236; H. 227)etching with engraving and drypoint on laid paperassumed later impres
• AFTER SALVADOR DALI, GREAT MASTERSAfter
  AFTER SALVADOR DALI, GREAT MASTERSAfter Salvador Dali (Spanish, 1904-1989)Great Masters (Van Gogh; Rembrandt; da Vinci; Michelanglo), circa 1968 (4)lithographs in colors on wove papereach signed in pencil, each from an edition of 2501
• AFTER REMBRANDT, THE CARD PLAYER, ETCHINGAfter
  AFTER REMBRANDT, THE CARD PLAYER, ETCHINGAfter Rembrandt van Rijn (Dutch, 1606-1669)The Card Playeretching on paperetching was first printed in 1641; this however is a Millenium limited edition print reproduction: etching on Ingres D'arches
• AFTER REMBRANDT, THE GOLF-PLAYER, ETCHINGAfter
  AFTER REMBRANDT, THE GOLF-PLAYER, ETCHINGAfter Rembrandt van Rijn (Dutch, 1606-1669)The Golf-Playeretching on paperOriginal etching was printed in 1654; this however is the Millenium limited edition print reproduction: etching on Ingres D'ar
• DUTCH PORTRAIT PROBABLY AFTER REMBRANDTProperty
  DUTCH PORTRAIT PROBABLY AFTER REMBRANDTProperty of a Private Collection, Savannah, GA oil on canvas laid on board, signed Van Augen lower right, depicting man in hat with lace ruffle, in a giltwood frame: 18 1/2 in. x 16 1/2 in. By sight:
• LARGE REMBRANDT ROUND DELFT TILE, LEON
  LARGE REMBRANDT ROUND DELFT TILE, LEON SENTLarge Delft Tile of Rembrandt, signed in tile "naar Rembrandt", diameter viewed in frame 16 1/4"; Oak frame: 23 3/4" x 24 1/4". Back of tile: Delft mark, kiln "272", impressed circular "JTL", name imp
• ALBERT CARRIER, REMBRANDT BRONZE, 25
  ALBERT CARRIER, REMBRANDT BRONZE, 25 1/2"Albert Carrier, Rembrandt Bronze, with incised signature. Rembrandt seated with artists palette. 25 1/2". Very good condition
• AFTER REMBRANDT VAN RIJN (DUTCH, 1606
  AFTER REMBRANDT VAN RIJN (DUTCH, 1606 - 1669) 25" x 21" Rembrandt van Rijn, Self portrait as a young man, after the original located in the Pitti Palace, Florence, 19th century. Oil on canvas, not signed to the front, verso with writing stating the painting is by "L. Bardi", in gilt frame, overall 35 ½" x 32". Provenance: old private collection, Butler, PA; by descent in the family to the current owner.
• REMBRANDT MESH TABLE LAMPA metal three-light
  REMBRANDT MESH TABLE LAMPA metal three-light table lamp with screen-metal, the painted shade with silhouettes, swags & landscapes. The shaped centre column and base with mechanism for adjusting height of the shade. Good overall condition. Marked PATENT APPLIED FOR NO. 805 EXPERT LAMP M.F.G. CO. Chicago, circa 1920. Measuring, 22" height x 12" width (shade). The Shaun & Joan Markey Collection.
• NINE HELIOGRAVURES AFTER THE ARTISTS
  NINE HELIOGRAVURES AFTER THE ARTISTS REMBRANDTNINE HELIOGRAVURES AFTER THE ARTISTS REMBRANDT, ANTHONY VAN DYCK, AND ALBRECHT DURER, various landscapes and portraits, 4" x 3.5" to 8.5" x 6.5" (images), 15.25" x 12.25" (matching frames).
• GEORGE JOHANSON ACRYLIC ON CANVASGEORGE
  GEORGE JOHANSON ACRYLIC ON CANVASGEORGE JOHANSON (Portland, OR/Seattle, 1928-2022) acrylic on canvas, "Gathering - Hockney, Treiman, Schrag, McGarrell, Beckman, Durer, and Three Rembrandts," a painting about mentors. Signed lower left, signed again and titled verso, dated 1979, label attached verso from The Fountain Gallery. Image measures 64" x 68.25" and frame measures 65" x 69.25". Lot includes a pamphlet from a 1976 George Johanson exhibition at the Portland Art Museum and a paper from Johanson describing the people in the painting, which also includes, not listed in the title, himself as an infant and Francis Bacon. Johanson was a pupil of Michele Russo while attending the Portland Museum Art School (now the Portland Northwest College of Art) and taught at the school for 25 years. Provenance: from the Collection of Beverly Ann White.
• IDA CALZOLARI "MAN WITH TURBAN" OIL
  IDA CALZOLARI "MAN WITH TURBAN" OIL ON CANVAS Ida Calzolari (Italian, b. 1936) "Man with Turban," oil on canvas, Baroque style bust portrait of a man painted in the manner of Rembrandt, signed lower left: "Calzolari." Image: 10.75" H x 8.75" W; frame: 21" H x 16.5" W x 2.5" D. Craquelure, minor blemish below signature. Provenance: Property from an Upper East Side estate.
• DUTCH SCHOOL, REMBRANDT'S MOTHER, OIL
  DUTCH SCHOOL, REMBRANDT'S MOTHER, OIL ON PANEL Dutch School, portrait of elderly woman, traditionally referred to as Rembrandt's mother, first quarter 20th century, oil on panel, bearing illegible stamp lower right, possibly reads "...1900 Munchen." Image: 9.5" H x 7.5" W; frame: 15.75" H x 14" W x 1.75" D.
• DUTCH SCHOOL, REMBRANDT'S FATHER, OIL
  DUTCH SCHOOL, REMBRANDT'S FATHER, OIL ON PANEL Dutch School, portrait of an elderly man, traditionally referred to as Rembrandt's father, first quarter 20th century, oil on panel, bearing illegible stamp lower right, possibly reads "...1900 Munchen." Image: 9.5" H x 7.5" W; frame: 15.75" H x 14" W x 1.75" D.
• JAN DE RUTH "GROUP PORTRAITS" OIL ON
  JAN DE RUTH "GROUP PORTRAITS" OIL ON CANVAS Jan de Ruth (American / Czech, 1922?1991) oil on canvas depicting the portraits of various historical figures including Rembrandt, bearing signature lower right, set in frame with artist's name plaque affixed to liner. Image: 19.5" H x 29.5" W; frame: 30.5" H x 40.5" W.
• AFTER REMBRANDT VAN RIJN, GEAN RECUEIL
  AFTER REMBRANDT VAN RIJN, GEAN RECUEIL ETCHING C. 1810After Rembrandt Van Rijn (1606-1669)Man in Cloak and Fur Cap Leaning Against a Bank (1810-1826)The Gean Recueil edition drypoint etching printed circa 1810-1826 from a plate created in 1630 is initialed within the plate upper right.Plate size 4.25 x 3, sheet measures 5 x 3.75, the frame is 19.5 x 18.5 inches.Good condition, noting toning and smudges.
• REMBRANDT VAN RIJN (1606-1669) BASSAN
  REMBRANDT VAN RIJN (1606-1669) BASSAN ETCHINGRembrandt Van Rijn (Dutch 1606-1669)Peasant in High Cap, Leaning on a Stick (Circa 1807)This print, the image numbered 133 in Bartsch's catalogue raisonné is believed to be a Bassan edition printed in 1807-1808 as number 237.Sheet measures 3.5 x 2.25 with a framed size of 19.25 x 18 inches.Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.
• GENIUS OF REMBRANDT 1ST ED. STERLING
  GENIUS OF REMBRANDT 1ST ED. STERLING PROOF SETFirst edition proof set, a partial set of thirty, The Genius of Rembrandt, serial no. 922, issued by the Franklin Mint, (thirty) sterling silver medals, each depicting a masterwork by Rembrandt, in original presentation case, medal: approx 2"diam, together with (5) sterling silver medals, The Kings and Queens of England, medal: approx 1.75"diam; case: approx 9"h, 17.75"w, 11.5"d; approx 69.76ozt total
• OLIVER WOLCOTT JR. (1760-1833) AUTOGRAPHED
  OLIVER WOLCOTT JR. (1760-1833) AUTOGRAPHED LETTERFramed autographed letter by Oliver Wolcott Jr. (United States, 1760-1833), framed together with a likeness of Wolcott after Rembrandt Peale (United States, 1778-1860), and a later plaque with biographical information and a transcription of the letter, overall: approx 26"h, 18.5"w, 6lbs **Note: Wolcott served in the Continental Army from 1777 to 1779, during the American Revolutionary War. He became the second United States Secretary of the Treasury, and the twenty fourth Governor of Connecticut.**
• DELFT BLUE & WHITE CERAMIC TILE WALL
  DELFT BLUE & WHITE CERAMIC TILE WALL HANGINGDelft blue and white ceramic tile scene, The Sampling Officials (Syndics of the Drapers’ Guild), after the 1662 painting by Rembrandt van Rijn (Amsterdam, 1606-1669), composed of six individual framed tiles, bottom left corner marked with insignia, stamped Lateel Bakkery, Delft Amsterdam to back of each tile, two tiles intact with hairlines, sight: approx 12"h, 18"w, overall: 18"h, 23.75"w, 12.75lbs
• REMBRANDT (AFTER) Pair of Etchings.
  REMBRANDT (AFTER) Pair of Etchings. From a New York collection. Dimensions: 6" high x 8" wide and 6.75" high x 5.25" wide. Condition: Toning. Spotting. Framed behind glass, not examined out of frame.
• REMBRANDT VAN RIJN (1606-1669): THE
  REMBRANDT VAN RIJN (1606-1669): THE CARD PLAYEREtching in black on laid paper, 1641, with an unidentified collector's mark on the reverse; together with European School: The Last Supper , etching in black on laid paper, with an indistinct collector's mark on the reverse. 3 5/8 x 3 3/16 in. (sheet), unframed, 4 1/4 x 3 in. (sheet), unframed. Condition Both with trimmed margins. Rembrandt with a few foxmarks and pencil inscriptions on the reverse.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• REMBRANDT (AFTER) (17TH/18TH CENTURY).
  REMBRANDT (AFTER) (17TH/18TH CENTURY). Oil on canvas. Pendragon Collection Inc. label verso. Copy of "Self Portrait as a Young Man". From a Long Island, NY collection. Dimensions: 22.25'' high x 16.5" wide Condition: Relined. Old repairs.
• REMBRANDT (AFTER). Etching. "The Angel
  REMBRANDT (AFTER). Etching. "The Angel Departing from the Family of Tobias". From a NYC Cultural Institution. Dimensions: 4" high x 6" wide Condition: Framed behind glass, not examined out of frame. Good.
• AMERICAN SCHOOL (20TH CENTURY). Oil
  AMERICAN SCHOOL (20TH CENTURY). Oil on canvas. Copy After Rembrandt. From a New York collection. Dimensions: 45.5" high x 32.25" wide Condition: Craquelure. Losses.
• AFTER REMBRANDT VAN RIJN (1606-1669):
  AFTER REMBRANDT VAN RIJN (1606-1669): THE WAIFEtching in black on laid paper. 9 1/2 x 13 in. (sheet), 12 1/2 x 16 1/2 in. (frame). Condition With margins. The sheet laid down. Pale staining, foxing and surface soiling.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• REMBRANDT (AFTER). Etching. "The Agony
  REMBRANDT (AFTER). Etching. "The Agony in the Garden". With authentication letter from Lucien Goldschmidt, New York. Plate size: 4 3/8" h x 3 5/16" w. From a New Jersey estate. Dimensions: Sheet: 4 5/8" h x 3 1/2" w. Condition: Small repairs. Trimmed margins. Framed behind glass, unexamined out of frame.
• REMBRANDT (AFTER). Etching. "The Rat
  REMBRANDT (AFTER). Etching. "The Rat Catcher". From a Connecticut collection. Dimensions: 5.5" h x 5" w Condition: Good.
• ADRIEN VAN DEN BOGAERT: DRAWINGS AFTER
  ADRIEN VAN DEN BOGAERT: DRAWINGS AFTER REMBRANDT AND CALLOTSepia and red ink on paper, signed 'A.v.d. Bogaert' and inscribed 'Geteelien/met de Pen/Door' lower center. 14 x 18 1/2 in. (sheet), 21 1/2 x 24 1/4 in. (frame). Condition Tack holes at places around the sheet edges. Old paper tape and glue around the reverse of the sheet edges. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• EUROPEAN SCHOOL: A BANQUET; AND OUTDOOR
  EUROPEAN SCHOOL: A BANQUET; AND OUTDOOR GATHERINGTwo ink on laid paper, unsigned; together with After Rembrandt: Old Man Leaning on A Cane , reproductive print. 9 1/4 x 14 1/2 in. (sight), 16 1/4 x 21 1/2 in. (frame), 12 1/4 x 17 1/2 in. (sight), 19 1/2 x 24 3/4 in. (frame), 8 1/2 x 9 in. (sheet), 11 1/2 x 12 1/2 in. (frame). Condition Banquet appears to be on two sheets. Both drawings with staining and surface soiling and the sheet laid down and with repaired tears. After Rembrandt examined out of frame. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ALEXANDER STOLIN (B.1963, UKRAINIAN
  ALEXANDER STOLIN (B.1963, UKRAINIAN / AMERICAN). "Rembrandt and Nathan's". Large acrylic and silkscreen ink on canvas. 1997. Signed and dated at lower right. From a Long Island collection. Dimensions: 54" h X 54" w. Condition: Good.
• REMBRANDT (AFTER) (20TH CENTURY). Copy
  REMBRANDT (AFTER) (20TH CENTURY). Copy of "Self-Portrait", 1660. (Rembrandt van Rijn, Dutch). Oil on canvas. "Copy from the original in The Metropolitan Museum of Art", stamps on verso, dated 1959. Museum Permit to Copy stamps verso. Apparently unsigned. From a Fairfield, CT collection. Dimensions: 36" h x 29" w. Condition: Occasional craquelure, faint scuffs and scratches.
• REMBRANDT VAN RIJN (DUTCH, 1606-1669),
  REMBRANDT VAN RIJN (DUTCH, 1606-1669), THE PANCAKE WOMAN Etching and drypoint on laid paper, 1635, likely printed early 19th century or earlier, thread margins, matted and framed.
• AFTER REMBRANDT: THE ANATOMY LESSON
  AFTER REMBRANDT: THE ANATOMY LESSON OF DR. NICOLAES TULPAfter Rembrandt: The Anatomy Lesson of Dr. Nicolaes Tulp, oil on canvas; unsigned Dimensions: 66 1/4 x 84 in. (168.3 x 213.4 cm.), Frame: 73 1/2 x 91 in. (186.7 x 231.1 cm.) Provenance: The Estate of Charles Hackett of Charles and Charles, San Jose, CA Condition:
• DUTCH DELFTWARE REMBRANDT COVERED GINGER
  DUTCH DELFTWARE REMBRANDT COVERED GINGER JAR, 1910 Dutch Delftware blue and white ceramic "Rembrandt" covered ginger jar, with blue underglaze marks of "Plateel Bakkereij Delft" of Hilversom, with datemark "I" for 1910 and painter's marks A.M., the vase with typical delft ornamentation in blue and white, centering a cartouche with a reduction after Rembrandt van Rijn's "Portrait of The Young Saskia" of 1633 now in the Dresden Gemaldegalierie Alte Meister. 19.5" H x 9.5" Diameter.